List Price: $ 19.98 Price: $ 1.55 Product Description Pecker (so named, at least according to his grandmother, because he always pecks at his food) loves to use the camera to capture his fellow Baltimore residents living their daily lives. Of course, since this is a John Waters movie, those daily lives include visits to strip bars, shoplifting, and various other quirky, and frequently hilarious, human activities. When Pecker's makeshift photo exhibit comes to the attention of a New York art agent (Lili Taylor), Pecker becomes the latest sensation. Unlike the hero in most sudden-fame stories, however, Pecker, as played by Edward Furlong, isn't exactly an innocent; rather, he takes in the world with his eyes, and his mind, wide open. So instead of suffering a precipitous fall, Pecker eventually turns the tables on his more worldly New York peers.
While not as outrageous as early Waters features such as Female Trouble and Pink Flamingos, Pecker still has something to offend just about everyone. But those who take the offenses to heart would be missing out on what amounts to a sweet-natured farce. The movie is not so much a pointed satire as a gentle teasing of the art world and its pretensions. The all-embracing world of John Waters allows for lovable freaks from the big city, too.
The movie sags a bit when it settles into its plot; it can't sustain the comic inspiration reached in the opening scenes of Pecker's encounters with Baltimore's misfits. But running gags about a sugar-addicted child and a ventriloquist-doll Virgin Mary are hilarious. What ultimately makes the movie such a pleasure, though, is Waters's genuine fondness for all of his characters. Aided by a charming cast, including Christina Ricci and Waters regulars Mink Stole and Patty Hearst, Waters has created a surprisingly touching ode to human eccentricity. --Chris Neman Feature
List Price: $ 1,249.00 Price: $ 999.00 Product Description The Swiss-made Schertler David Acoustic Instrument Amplifier delivers amazing amplified reproduction of your acoustic instrument. Two Input Channels, each with switchable Gain Control, allow connection of a wide variety of instruments and microphones. Switchable Phantom Power (48v on the MIcrophone/Instrument Channel, 10v on the Instrument/Line Channel) and a wide array of EQ Controls (Including Resonance to fine-tune low frequencies and Warm to smooth out harsh piezo pickups) provide unparalled flexibility of use. An Insert allows the connection of an outboard signal processor, while the built-in Analog Spring Reverb adds depth and richness. Reverb may be individually mixed on each Channel. David is bi-amplified for maximum amplifier efficiency, with 50 watts driving the 6" woofer and 30 watts driving the tweeter. Three Outputs allow David to be used as a stage monitor while sending a signal to the Mixer or Recorder, as well as the connection of additional powered speaker cabinets. The tuned, ported cabinet delivers stunning projection, warm, smooth trebles, clear mids, and powerful bass response in a small package. David, the "Little Giant Killer" from Schertler. Feature
- Studio-Monitor Quality Live on Stage
- Bi-amped 50 + 30 watts
- Two Input Channels
- Analog Spring Reverb
- Three Outputs
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